Angela Gram, Chen Jia, Chen Leru, Emma Hapner, Geraldine Neuwirth, Heather Im, Jane Philips, Julia Shen, Liu Yiting, Luo Min, Olivia Chigas, Orange Li, Ou Pei, Shen Cai, Song Xiangni, Song Xin, Wo Xinyu, Xu Jingyu, Zhang Chunyang, Zhang Yanzi, Renee Magnanti

March 8 – April 19, 2025 · Curated by Christy Dandan Qin


Jane Philips, tinder/(we accept the love we think we deserve), 2025, oil on canvas
Jane Philipstinder/(we accept the love we think we deserve), 2025Oil on canvas · 15 × 10″ Inquire

Twenty-one women artists working across Asia and North America, echoing themes present in Wong Kar Wai’s In the Mood for Love — longing, restraint, and the ache of a moment not quite met.

In The Mood For Love brought together 21 women artists working across global frameworks in Asia and North America for the third presentation of this traditional women’s group exhibition, echoing themes present in Wong Kar Wai’s influential film In the Mood for Love. This pivotal group exhibit was on view at VillageOneArt from March 8 to April 19, 2025. Distinctly featuring either representational or abstract artwork, with very little commingling across the survey, the show presented a range of women working at the forefront of expressive and gestural trends in the contemporary art world.

Paintings by Chen Leru and Angela Gram centered animal forms in vibrant tones and hues, perhaps commenting on people or places through the eyes of beasts both wild and domestic. Flora permeated the paintings of Luo Min and Xin Song, with an enticing emphasis on visual texture and references to — and departures from — traditional forms of Eastern and Western schools of painting. Abstraction formed a through line connecting a range of visual stylings in works by Shen Cai, Geraldine Neuwirth, Chen Jia, Ou Pei, and Jane Philips, with varying degrees of mark-making, monochromatic, and geometric approaches embedded in these artists’ practices.

Sculptural work by Julia Shen and Yanzi Zhang offered alternate perspectives on three-dimensional artwork as avenues for figuration or abstract evocations of the body, while Zhang Chunyang, Heather Im, Xiangni Song, and Orange Li embraced the body of their subjects, depicting these figures with relative levels of gestural abstraction occluding or enhancing the scenes they inhabited.

Harnessing their undeniably unique perspectives, each artist brought a range of vibrant artistic practices to the forefront, invaluably contributing to this formidable survey of contemporary women artists boldly pushing boundaries toward an expressive artistic future.

In The Mood For Love was on view at VillageOneArt, 150 West 25th Street, Suite 403, New York, from March 8 to April 19, 2025. Curated by Christy Dandan Qin. For inquiries regarding available works, please contact info@villageoneart.com.